Proof, not promises
Projects where the technology had to work live, in places that were not built for broadcasting.
Mountain Outpost · REMIRemote production for endurance racesLive coverage of trail and ultra races from places with no wired network: field cameras and drones, bonded cellular and satellite transport, and a studio that is not on site.4.8Mviews in 2026 so far44.5Kpeak concurrent viewers20+races a yearATEM Constellation 4 M/ETeradekPeplinkStarlinkNDIRead the case study →
Game On Live Studio · Streaming operationsStreaming operations at national scaleRunning the technology behind thousands of live youth and amateur sports broadcasts: production kits, operators, transport and the tools that keep them all working.11,500+live games streamed50,000+hours of broadcast41production kits nationwideZixiATEM Extreme ISO G2DaVinci ResolveNDIUISPRead the case study →
More work
NBA DCP with GondolaContracted by Gondola to support the NBA Digital Content Program, creating social media and NBA App content for select Utah Jazz game days throughout the season.See it on Gondola ↗
Ensign CollegeStudent TA supporting broadcast and studio operations. Rebuilt the studio workflow for broadcasts and podcasts, improving efficiency, usability, and student access over the past year.Watch the playlist ↗
Digital Content CreationSports videography, FPV and cinematic aerial work, and photography that supports teams, players, brands, and creators.See it on Instagram ↗
Have a show that has to work live?
Technical directing, streaming operations and the process behind them.